| Package | Description |
|---|---|
| com.amazonaws.services.mediaconvert |
AWS Elemental MediaConvert
|
| com.amazonaws.services.mediaconvert.model |
| Class and Description |
|---|
| AacAudioDescriptionBroadcasterMix
Choose BROADCASTER_MIXED_AD when the input contains pre-mixed main audio + audio description (AD) as a stereo pair.
|
| AacCodecProfile
AAC Profile.
|
| AacCodingMode
Mono (Audio Description), Mono, Stereo, or 5.1 channel layout.
|
| AacRateControlMode
Rate Control Mode.
|
| AacRawFormat
Enables LATM/LOAS AAC output.
|
| AacSettings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AAC.
|
| AacSpecification
Use MPEG-2 AAC instead of MPEG-4 AAC audio for raw or MPEG-2 Transport Stream containers.
|
| AacVbrQuality
VBR Quality Level - Only used if rate_control_mode is VBR.
|
| Ac3BitstreamMode
Specify the bitstream mode for the AC-3 stream that the encoder emits.
|
| Ac3CodingMode
Dolby Digital coding mode.
|
| Ac3DynamicRangeCompressionLine
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the line operating mode.
|
| Ac3DynamicRangeCompressionProfile
When you want to add Dolby dynamic range compression (DRC) signaling to your output stream, we recommend that you use
the mode-specific settings instead of Dynamic range compression profile (DynamicRangeCompressionProfile).
|
| Ac3DynamicRangeCompressionRf
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the RF operating mode.
|
| Ac3LfeFilter
Applies a 120Hz lowpass filter to the LFE channel prior to encoding.
|
| Ac3MetadataControl
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this
audio data.
|
| Ac3Settings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AC3.
|
| AccelerationMode
Specify whether the service runs your job with accelerated transcoding.
|
| AccelerationSettings
Accelerated transcoding can significantly speed up jobs with long, visually complex content.
|
| AccelerationStatus
Describes whether the current job is running with accelerated transcoding.
|
| AfdSignaling
This setting only applies to H.264, H.265, and MPEG2 outputs.
|
| AiffSettings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value AIFF.
|
| AlphaBehavior
Ignore this setting unless this input is a QuickTime animation with an alpha channel.
|
| AncillaryConvert608To708
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| AncillarySourceSettings
Settings for ancillary captions source.
|
| AncillaryTerminateCaptions
By default, the service terminates any unterminated captions at the end of each input.
|
| AntiAlias
The anti-alias filter is automatically applied to all outputs.
|
| AssociateCertificateRequest |
| AssociateCertificateResult |
| AudioChannelTag
You can add a tag for this mono-channel audio track to mimic its placement in a multi-channel layout.
|
| AudioChannelTaggingSettings
When you mimic a multi-channel audio layout with multiple mono-channel tracks, you can tag each channel layout
manually.
|
| AudioCodec
Choose the audio codec for this output.
|
| AudioCodecSettings
Settings related to audio encoding.
|
| AudioDefaultSelection
Enable this setting on one audio selector to set it as the default for the job.
|
| AudioDescription
Settings related to one audio tab on the MediaConvert console.
|
| AudioLanguageCodeControl
Specify which source for language code takes precedence for this audio track.
|
| AudioNormalizationAlgorithm
Choose one of the following audio normalization algorithms: ITU-R BS.1770-1: Ungated loudness.
|
| AudioNormalizationAlgorithmControl
When enabled the output audio is corrected using the chosen algorithm.
|
| AudioNormalizationLoudnessLogging
If set to LOG, log each output's audio track loudness to a CSV file.
|
| AudioNormalizationPeakCalculation
If set to TRUE_PEAK, calculate and log the TruePeak for each output's audio track loudness.
|
| AudioNormalizationSettings
Advanced audio normalization settings.
|
| AudioSelector
Use Audio selectors (AudioSelectors) to specify a track or set of tracks from the input that you will use in your
outputs.
|
| AudioSelectorGroup
Use audio selector groups to combine multiple sidecar audio inputs so that you can assign them to a single output
audio tab (AudioDescription).
|
| AudioSelectorType
Specifies the type of the audio selector.
|
| AudioTypeControl
When set to FOLLOW_INPUT, if the input contains an ISO 639 audio_type, then that value is passed through to the
output.
|
| AutomatedAbrSettings
Use automated ABR to have MediaConvert set up the renditions in your ABR package for you automatically, based on
characteristics of your input video.
|
| AutomatedEncodingSettings
Use automated encoding to have MediaConvert choose your encoding settings for you, based on characteristics of your
input video.
|
| Av1AdaptiveQuantization
Specify the strength of any adaptive quantization filters that you enable.
|
| Av1FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Av1FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| Av1QvbrSettings
Settings for quality-defined variable bitrate encoding with the AV1 codec.
|
| Av1RateControlMode
'With AV1 outputs, for rate control mode, MediaConvert supports only quality-defined variable bitrate (QVBR).
|
| Av1Settings
Required when you set Codec, under VideoDescription>CodecSettings to the value AV1.
|
| Av1SpatialAdaptiveQuantization
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of
content complexity.
|
| AvailBlanking
Use ad avail blanking settings to specify your output content during SCTE-35 triggered ad avails.
|
| AvcIntraClass
Specify the AVC-Intra class of your output.
|
| AvcIntraFramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| AvcIntraFramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| AvcIntraInterlaceMode
Choose the scan line type for the output.
|
| AvcIntraScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| AvcIntraSettings
Required when you choose AVC-Intra for your output video codec.
|
| AvcIntraSlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| AvcIntraTelecine
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture.
|
| AvcIntraUhdQualityTuningLevel
Optional.
|
| AvcIntraUhdSettings
Optional when you set AVC-Intra class (avcIntraClass) to Class 4K/2K (CLASS_4K_2K).
|
| AWSMediaConvertException
Base exception for all service exceptions thrown by AWS Elemental MediaConvert
|
| BillingTagsSource
The tag type that AWS Billing and Cost Management will use to sort your AWS Elemental MediaConvert costs on any
billing report that you set up.
|
| BurninDestinationSettings
Settings related to burn-in captions.
|
| BurninSubtitleAlignment
If no explicit x_position or y_position is provided, setting alignment to centered will place the captions at the
bottom center of the output.
|
| BurninSubtitleBackgroundColor
Specifies the color of the rectangle behind the captions.
|
| BurninSubtitleFontColor
Specifies the color of the burned-in captions.
|
| BurninSubtitleOutlineColor
Specifies font outline color.
|
| BurninSubtitleShadowColor
Specifies the color of the shadow cast by the captions.
|
| BurninSubtitleTeletextSpacing
Only applies to jobs with input captions in Teletext or STL formats.
|
| CancelJobRequest |
| CancelJobResult |
| CaptionDescription
This object holds groups of settings related to captions for one output.
|
| CaptionDescriptionPreset
Caption Description for preset
|
| CaptionDestinationSettings
Settings related to one captions tab on the MediaConvert console.
|
| CaptionDestinationType
Specify the format for this set of captions on this output.
|
| CaptionSelector
Use captions selectors to specify the captions data from your input that you use in your outputs.
|
| CaptionSourceFramerate
Ignore this setting unless your input captions format is SCC.
|
| CaptionSourceSettings
If your input captions are SCC, TTML, STL, SMI, SRT, or IMSC in an xml file, specify the URI of the input captions
source file.
|
| CaptionSourceType
Use Source (SourceType) to identify the format of your input captions.
|
| ChannelMapping
Channel mapping (ChannelMapping) contains the group of fields that hold the remixing value for each channel, in dB.
|
| CmafAdditionalManifest
Specify the details for each pair of HLS and DASH additional manifests that you want the service to generate for this
CMAF output group.
|
| CmafClientCache
Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.
|
| CmafCodecSpecification
Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.
|
| CmafEncryptionSettings
Settings for CMAF encryption
|
| CmafEncryptionType
Specify the encryption scheme that you want the service to use when encrypting your CMAF segments.
|
| CmafGroupSettings
Settings related to your CMAF output package.
|
| CmafInitializationVectorInManifest
When you use DRM with CMAF outputs, choose whether the service writes the 128-bit encryption initialization vector in
the HLS and DASH manifests.
|
| CmafKeyProviderType
Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.
|
| CmafManifestCompression
When set to GZIP, compresses HLS playlist.
|
| CmafManifestDurationFormat
Indicates whether the output manifest should use floating point values for segment duration.
|
| CmafMpdProfile
Specify whether your DASH profile is on-demand or main.
|
| CmafPtsOffsetHandlingForBFrames
Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp
(PTS) to be offset from the initial decode time stamp (DTS).
|
| CmafSegmentControl
When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length
and Segment Length.
|
| CmafStreamInfResolution
Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.
|
| CmafWriteDASHManifest
When set to ENABLED, a DASH MPD manifest will be generated for this output.
|
| CmafWriteHLSManifest
When set to ENABLED, an Apple HLS manifest will be generated for this output.
|
| CmafWriteSegmentTimelineInRepresentation
When you enable Precise segment duration in DASH manifests (writeSegmentTimelineInRepresentation), your DASH manifest
shows precise segment durations.
|
| CmfcAudioDuration
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| CmfcAudioTrackType
Use this setting to control the values that MediaConvert puts in your HLS parent playlist to control how the client
player selects which audio track to play.
|
| CmfcDescriptiveVideoServiceFlag
Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.
|
| CmfcIFrameOnlyManifest
Choose Include (INCLUDE) to have MediaConvert generate an HLS child manifest that lists only the I-frames for this
rendition, in addition to your regular manifest for this rendition.
|
| CmfcScte35Esam
Use this setting only when you specify SCTE-35 markers from ESAM.
|
| CmfcScte35Source
Ignore this setting unless you have SCTE-35 markers in your input video file.
|
| CmfcSettings
These settings relate to the fragmented MP4 container for the segments in your CMAF outputs.
|
| ColorCorrector
Settings for color correction.
|
| ColorMetadata
Choose Insert (INSERT) for this setting to include color metadata in this output.
|
| ColorSpace
If your input video has accurate color space metadata, or if you don't know about color space, leave this set to the
default value Follow (FOLLOW).
|
| ColorSpaceConversion
Specify the color space you want for this output.
|
| ColorSpaceUsage
There are two sources for color metadata, the input file and the job input settings Color space (ColorSpace) and HDR
master display information settings(Hdr10Metadata).
|
| Commitment
The length of the term of your reserved queue pricing plan commitment.
|
| ContainerSettings
Container specific settings.
|
| ContainerType
Container for this output.
|
| CreateJobRequest |
| CreateJobResult |
| CreateJobTemplateRequest |
| CreateJobTemplateResult |
| CreatePresetRequest |
| CreatePresetResult |
| CreateQueueRequest |
| CreateQueueResult |
| DashAdditionalManifest
Specify the details for each additional DASH manifest that you want the service to generate for this output group.
|
| DashIsoEncryptionSettings
Specifies DRM settings for DASH outputs.
|
| DashIsoGroupAudioChannelConfigSchemeIdUri
Use this setting only when your audio codec is a Dolby one (AC3, EAC3, or Atmos) and your downstream workflow
requires that your DASH manifest use the Dolby channel configuration tag, rather than the MPEG one.
|
| DashIsoGroupSettings
Settings related to your DASH output package.
|
| DashIsoHbbtvCompliance
Supports HbbTV specification as indicated
|
| DashIsoMpdProfile
Specify whether your DASH profile is on-demand or main.
|
| DashIsoPlaybackDeviceCompatibility
This setting can improve the compatibility of your output with video players on obsolete devices.
|
| DashIsoPtsOffsetHandlingForBFrames
Use this setting only when your output video stream has B-frames, which causes the initial presentation time stamp
(PTS) to be offset from the initial decode time stamp (DTS).
|
| DashIsoSegmentControl
When set to SINGLE_FILE, a single output file is generated, which is internally segmented using the Fragment Length
and Segment Length.
|
| DashIsoWriteSegmentTimelineInRepresentation
When you enable Precise segment duration in manifests (writeSegmentTimelineInRepresentation), your DASH manifest
shows precise segment durations.
|
| DecryptionMode
Specify the encryption mode that you used to encrypt your input files.
|
| DeinterlaceAlgorithm
Only applies when you set Deinterlacer (DeinterlaceMode) to Deinterlace (DEINTERLACE) or Adaptive (ADAPTIVE).
|
| Deinterlacer
Settings for deinterlacer
|
| DeinterlacerControl
- When set to NORMAL (default), the deinterlacer does not convert frames that are tagged in metadata as progressive.
|
| DeinterlacerMode
Use Deinterlacer (DeinterlaceMode) to choose how the service will do deinterlacing.
|
| DeleteJobTemplateRequest |
| DeleteJobTemplateResult |
| DeletePresetRequest |
| DeletePresetResult |
| DeleteQueueRequest |
| DeleteQueueResult |
| DescribeEndpointsMode
Optional field, defaults to DEFAULT.
|
| DescribeEndpointsRequest
DescribeEndpointsRequest
|
| DescribeEndpointsResult |
| DestinationSettings
Settings associated with the destination.
|
| DisassociateCertificateRequest |
| DisassociateCertificateResult |
| DolbyVision
With AWS Elemental MediaConvert, you can create profile 5 Dolby Vision outputs from MXF and IMF sources that contain
mastering information as frame-interleaved Dolby Vision metadata.
|
| DolbyVisionLevel6Metadata
Use these settings when you set DolbyVisionLevel6Mode to SPECIFY to override the MaxCLL and MaxFALL values in your
input with new values.
|
| DolbyVisionLevel6Mode
Use Dolby Vision Mode to choose how the service will handle Dolby Vision MaxCLL and MaxFALL properies.
|
| DolbyVisionProfile
In the current MediaConvert implementation, the Dolby Vision profile is always 5 (PROFILE_5).
|
| DropFrameTimecode
Applies only to 29.97 fps outputs.
|
| DvbddsHandling
Specify how MediaConvert handles the display definition segment (DDS).
|
| DvbNitSettings
Use these settings to insert a DVB Network Information Table (NIT) in the transport stream of this output.
|
| DvbSdtSettings
Use these settings to insert a DVB Service Description Table (SDT) in the transport stream of this output.
|
| DvbSubDestinationSettings
Settings related to DVB-Sub captions.
|
| DvbSubSourceSettings
DVB Sub Source Settings
|
| DvbSubtitleAlignment
If no explicit x_position or y_position is provided, setting alignment to centered will place the captions at the
bottom center of the output.
|
| DvbSubtitleBackgroundColor
Specifies the color of the rectangle behind the captions.
|
| DvbSubtitleFontColor
Specifies the color of the burned-in captions.
|
| DvbSubtitleOutlineColor
Specifies font outline color.
|
| DvbSubtitleShadowColor
Specifies the color of the shadow cast by the captions.
|
| DvbSubtitleTeletextSpacing
Only applies to jobs with input captions in Teletext or STL formats.
|
| DvbSubtitlingType
Specify whether your DVB subtitles are standard or for hearing impaired.
|
| DvbTdtSettings
Use these settings to insert a DVB Time and Date Table (TDT) in the transport stream of this output.
|
| Eac3AtmosBitstreamMode
Specify the bitstream mode for the E-AC-3 stream that the encoder emits.
|
| Eac3AtmosCodingMode
The coding mode for Dolby Digital Plus JOC (Atmos) is always 9.1.6 (CODING_MODE_9_1_6).
|
| Eac3AtmosDialogueIntelligence
Enable Dolby Dialogue Intelligence to adjust loudness based on dialogue analysis.
|
| Eac3AtmosDynamicRangeCompressionLine
Specify the absolute peak level for a signal with dynamic range compression.
|
| Eac3AtmosDynamicRangeCompressionRf
Specify how the service limits the audio dynamic range when compressing the audio.
|
| Eac3AtmosMeteringMode
Choose how the service meters the loudness of your audio.
|
| Eac3AtmosSettings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3_ATMOS.
|
| Eac3AtmosStereoDownmix
Choose how the service does stereo downmixing.
|
| Eac3AtmosSurroundExMode
Specify whether your input audio has an additional center rear surround channel matrix encoded into your left and
right surround channels.
|
| Eac3AttenuationControl
If set to ATTENUATE_3_DB, applies a 3 dB attenuation to the surround channels.
|
| Eac3BitstreamMode
Specify the bitstream mode for the E-AC-3 stream that the encoder emits.
|
| Eac3CodingMode
Dolby Digital Plus coding mode.
|
| Eac3DcFilter
Activates a DC highpass filter for all input channels.
|
| Eac3DynamicRangeCompressionLine
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the line operating mode.
|
| Eac3DynamicRangeCompressionRf
Choose the Dolby Digital dynamic range control (DRC) profile that MediaConvert uses when encoding the metadata in the
Dolby Digital stream for the RF operating mode.
|
| Eac3LfeControl
When encoding 3/2 audio, controls whether the LFE channel is enabled
|
| Eac3LfeFilter
Applies a 120Hz lowpass filter to the LFE channel prior to encoding.
|
| Eac3MetadataControl
When set to FOLLOW_INPUT, encoder metadata will be sourced from the DD, DD+, or DolbyE decoder that supplied this
audio data.
|
| Eac3PassthroughControl
When set to WHEN_POSSIBLE, input DD+ audio will be passed through if it is present on the input.
|
| Eac3PhaseControl
Controls the amount of phase-shift applied to the surround channels.
|
| Eac3Settings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value EAC3.
|
| Eac3StereoDownmix
Choose how the service does stereo downmixing.
|
| Eac3SurroundExMode
When encoding 3/2 audio, sets whether an extra center back surround channel is matrix encoded into the left and right
surround channels.
|
| Eac3SurroundMode
When encoding 2/0 audio, sets whether Dolby Surround is matrix encoded into the two channels.
|
| EmbeddedConvert608To708
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| EmbeddedDestinationSettings
Settings related to CEA/EIA-608 and CEA/EIA-708 (also called embedded or ancillary) captions.
|
| EmbeddedSourceSettings
Settings for embedded captions Source
|
| EmbeddedTerminateCaptions
By default, the service terminates any unterminated captions at the end of each input.
|
| Endpoint
Describes an account-specific API endpoint.
|
| EsamManifestConfirmConditionNotification
ESAM ManifestConfirmConditionNotification defined by OC-SP-ESAM-API-I03-131025.
|
| EsamSettings
Settings for Event Signaling And Messaging (ESAM).
|
| EsamSignalProcessingNotification
ESAM SignalProcessingNotification data defined by OC-SP-ESAM-API-I03-131025.
|
| F4vMoovPlacement
If set to PROGRESSIVE_DOWNLOAD, the MOOV atom is relocated to the beginning of the archive as required for
progressive downloading.
|
| F4vSettings
Settings for F4v container
|
| FileGroupSettings
Settings related to your File output group.
|
| FileSourceConvert608To708
Specify whether this set of input captions appears in your outputs in both 608 and 708 format.
|
| FileSourceSettings
If your input captions are SCC, SMI, SRT, STL, TTML, WebVTT, or IMSC 1.1 in an xml file, specify the URI of the input
caption source file.
|
| FontScript
Provide the font script, using an ISO 15924 script code, if the LanguageCode is not sufficient for determining the
script type.
|
| FrameCaptureSettings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value FRAME_CAPTURE.
|
| GetJobRequest |
| GetJobResult |
| GetJobTemplateRequest |
| GetJobTemplateResult |
| GetPresetRequest |
| GetPresetResult |
| GetQueueRequest |
| GetQueueResult |
| H264AdaptiveQuantization
Keep the default value, Auto (AUTO), for this setting to have MediaConvert automatically apply the best types of
quantization for your video content.
|
| H264CodecLevel
Specify an H.264 level that is consistent with your output video settings.
|
| H264CodecProfile
H.264 Profile.
|
| H264DynamicSubGop
Choose Adaptive to improve subjective video quality for high-motion content.
|
| H264EntropyEncoding
Entropy encoding mode.
|
| H264FieldEncoding
Keep the default value, PAFF, to have MediaConvert use PAFF encoding for interlaced outputs.
|
| H264FlickerAdaptiveQuantization
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.
|
| H264FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| H264FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| H264GopBReference
If enable, use reference B frames for GOP structures that have B frames > 1.
|
| H264GopSizeUnits
Indicates if the GOP Size in H264 is specified in frames or seconds.
|
| H264InterlaceMode
Choose the scan line type for the output.
|
| H264ParControl
Optional.
|
| H264QualityTuningLevel
Optional.
|
| H264QvbrSettings
Settings for quality-defined variable bitrate encoding with the H.264 codec.
|
| H264RateControlMode
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or
quality-defined variable bitrate (QVBR).
|
| H264RepeatPps
Places a PPS header on each encoded picture, even if repeated.
|
| H264ScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| H264SceneChangeDetect
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| H264Settings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value H_264.
|
| H264SlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| H264SpatialAdaptiveQuantization
Only use this setting when you change the default value, Auto (AUTO), for the setting H264AdaptiveQuantization.
|
| H264Syntax
Produces a bitstream compliant with SMPTE RP-2027.
|
| H264Telecine
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard or soft telecine to create a smoother picture.
|
| H264TemporalAdaptiveQuantization
Only use this setting when you change the default value, AUTO, for the setting H264AdaptiveQuantization.
|
| H264UnregisteredSeiTimecode
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
|
| H265AdaptiveQuantization
Specify the strength of any adaptive quantization filters that you enable.
|
| H265AlternateTransferFunctionSei
Enables Alternate Transfer Function SEI message for outputs using Hybrid Log Gamma (HLG) Electro-Optical Transfer
Function (EOTF).
|
| H265CodecLevel
H.265 Level.
|
| H265CodecProfile
Represents the Profile and Tier, per the HEVC (H.265) specification.
|
| H265DynamicSubGop
Choose Adaptive to improve subjective video quality for high-motion content.
|
| H265FlickerAdaptiveQuantization
Enable this setting to have the encoder reduce I-frame pop.
|
| H265FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| H265FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| H265GopBReference
If enable, use reference B frames for GOP structures that have B frames > 1.
|
| H265GopSizeUnits
Indicates if the GOP Size in H265 is specified in frames or seconds.
|
| H265InterlaceMode
Choose the scan line type for the output.
|
| H265ParControl
Optional.
|
| H265QualityTuningLevel
Optional.
|
| H265QvbrSettings
Settings for quality-defined variable bitrate encoding with the H.265 codec.
|
| H265RateControlMode
Use this setting to specify whether this output has a variable bitrate (VBR), constant bitrate (CBR) or
quality-defined variable bitrate (QVBR).
|
| H265SampleAdaptiveOffsetFilterMode
Specify Sample Adaptive Offset (SAO) filter strength.
|
| H265ScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| H265SceneChangeDetect
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| H265Settings
Settings for H265 codec
|
| H265SlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| H265SpatialAdaptiveQuantization
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of
content complexity.
|
| H265Telecine
This field applies only if the Streams > Advanced > Framerate (framerate) field is set to 29.970.
|
| H265TemporalAdaptiveQuantization
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of
content complexity.
|
| H265TemporalIds
Enables temporal layer identifiers in the encoded bitstream.
|
| H265Tiles
Enable use of tiles, allowing horizontal as well as vertical subdivision of the encoded pictures.
|
| H265UnregisteredSeiTimecode
Inserts timecode for each frame as 4 bytes of an unregistered SEI message.
|
| H265WriteMp4PackagingType
If the location of parameter set NAL units doesn't matter in your workflow, ignore this setting.
|
| Hdr10Metadata
Use these settings to specify static color calibration metadata, as defined by SMPTE ST 2086.
|
| HlsAdditionalManifest
Specify the details for each additional HLS manifest that you want the service to generate for this output group.
|
| HlsAdMarkers |
| HlsAudioOnlyContainer
Use this setting only in audio-only outputs.
|
| HlsAudioOnlyHeader
Ignore this setting unless you are using FairPlay DRM with Verimatrix and you encounter playback issues.
|
| HlsAudioTrackType
Four types of audio-only tracks are supported: Audio-Only Variant Stream The client can play back this audio-only
stream instead of video in low-bandwidth scenarios.
|
| HlsCaptionLanguageMapping
Caption Language Mapping
|
| HlsCaptionLanguageSetting
Applies only to 608 Embedded output captions.
|
| HlsClientCache
Disable this setting only when your workflow requires the #EXT-X-ALLOW-CACHE:no tag.
|
| HlsCodecSpecification
Specification to use (RFC-6381 or the default RFC-4281) during m3u8 playlist generation.
|
| HlsDescriptiveVideoServiceFlag
Specify whether to flag this audio track as descriptive video service (DVS) in your HLS parent manifest.
|
| HlsDirectoryStructure
Indicates whether segments should be placed in subdirectories.
|
| HlsEncryptionSettings
Settings for HLS encryption
|
| HlsEncryptionType
Encrypts the segments with the given encryption scheme.
|
| HlsGroupSettings
Settings related to your HLS output package.
|
| HlsIFrameOnlyManifest
Choose Include (INCLUDE) to have MediaConvert generate a child manifest that lists only the I-frames for this
rendition, in addition to your regular manifest for this rendition.
|
| HlsInitializationVectorInManifest
The Initialization Vector is a 128-bit number used in conjunction with the key for encrypting blocks.
|
| HlsKeyProviderType
Specify whether your DRM encryption key is static or from a key provider that follows the SPEKE standard.
|
| HlsManifestCompression
When set to GZIP, compresses HLS playlist.
|
| HlsManifestDurationFormat
Indicates whether the output manifest should use floating point values for segment duration.
|
| HlsOfflineEncrypted
Enable this setting to insert the EXT-X-SESSION-KEY element into the master playlist.
|
| HlsOutputSelection
Indicates whether the .m3u8 manifest file should be generated for this HLS output group.
|
| HlsProgramDateTime
Includes or excludes EXT-X-PROGRAM-DATE-TIME tag in .m3u8 manifest files.
|
| HlsSegmentControl
When set to SINGLE_FILE, emits program as a single media resource (.ts) file, uses #EXT-X-BYTERANGE tags to index
segment for playback.
|
| HlsSettings
Settings for HLS output groups
|
| HlsStreamInfResolution
Include or exclude RESOLUTION attribute for video in EXT-X-STREAM-INF tag of variant manifest.
|
| HlsTimedMetadataId3Frame
Indicates ID3 frame that has the timecode.
|
| HopDestination
Optional.
|
| Id3Insertion
To insert ID3 tags in your output, specify two values.
|
| ImageInserter
Use the image inserter feature to include a graphic overlay on your video.
|
| ImscDestinationSettings
Settings related to IMSC captions.
|
| ImscStylePassthrough
Keep this setting enabled to have MediaConvert use the font style and position information from the captions source
in the output.
|
| Input
Use inputs to define the source files used in your transcoding job.
|
| InputClipping
To transcode only portions of your input, include one input clip for each part of your input that you want in your
output.
|
| InputDeblockFilter
Enable Deblock (InputDeblockFilter) to produce smoother motion in the output.
|
| InputDecryptionSettings
Settings for decrypting any input files that you encrypt before you upload them to Amazon S3.
|
| InputDenoiseFilter
Enable Denoise (InputDenoiseFilter) to filter noise from the input.
|
| InputFilterEnable
Specify how the transcoding service applies the denoise and deblock filters.
|
| InputPsiControl
Set PSI control (InputPsiControl) for transport stream inputs to specify which data the demux process to scans.
|
| InputRotate
Use Rotate (InputRotate) to specify how the service rotates your video.
|
| InputSampleRange
Use this setting when your input video codec is AVC-Intra.
|
| InputScanType
When you have a progressive segmented frame (PsF) input, use this setting to flag the input as PsF.
|
| InputTemplate
Specified video input in a template.
|
| InputTimecodeSource
Use this Timecode source setting, located under the input settings (InputTimecodeSource), to specify how the service
counts input video frames.
|
| InsertableImage
These settings apply to a specific graphic overlay.
|
| Job
Each job converts an input file into an output file or files.
|
| JobMessages
Provides messages from the service about jobs that you have already successfully submitted.
|
| JobPhase
A job's phase can be PROBING, TRANSCODING OR UPLOADING
|
| JobSettings
JobSettings contains all the transcode settings for a job.
|
| JobStatus
A job's status can be SUBMITTED, PROGRESSING, COMPLETE, CANCELED, or ERROR.
|
| JobTemplate
A job template is a pre-made set of encoding instructions that you can use to quickly create a job.
|
| JobTemplateListBy
Optional.
|
| JobTemplateSettings
JobTemplateSettings contains all the transcode settings saved in the template that will be applied to jobs created
from it.
|
| KantarWatermarkSettings
Use these settings only when you use Kantar watermarking.
|
| LanguageCode
Specify the language, using the ISO 639-2 three-letter code listed at
https://www.loc.gov/standards/iso639-2/php/code_list.php.
|
| ListJobsRequest |
| ListJobsResult |
| ListJobTemplatesRequest |
| ListJobTemplatesResult |
| ListPresetsRequest |
| ListPresetsResult |
| ListQueuesRequest |
| ListQueuesResult |
| ListTagsForResourceRequest |
| ListTagsForResourceResult |
| M2tsAudioBufferModel
Selects between the DVB and ATSC buffer models for Dolby Digital audio.
|
| M2tsAudioDuration
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| M2tsBufferModel
Controls what buffer model to use for accurate interleaving.
|
| M2tsEbpAudioInterval
When set to VIDEO_AND_FIXED_INTERVALS, audio EBP markers will be added to partitions 3 and 4.
|
| M2tsEbpPlacement
Selects which PIDs to place EBP markers on.
|
| M2tsEsRateInPes
Controls whether to include the ES Rate field in the PES header.
|
| M2tsForceTsVideoEbpOrder
Keep the default value (DEFAULT) unless you know that your audio EBP markers are incorrectly appearing before your
video EBP markers.
|
| M2tsNielsenId3
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag
will be inserted in the output.
|
| M2tsPcrControl
When set to PCR_EVERY_PES_PACKET, a Program Clock Reference value is inserted for every Packetized Elementary Stream
(PES) header.
|
| M2tsRateMode
When set to CBR, inserts null packets into transport stream to fill specified bitrate.
|
| M2tsScte35Esam
Settings for SCTE-35 signals from ESAM.
|
| M2tsScte35Source
For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in
your input to also appear in this output.
|
| M2tsSegmentationMarkers
Inserts segmentation markers at each segmentation_time period.
|
| M2tsSegmentationStyle
The segmentation style parameter controls how segmentation markers are inserted into the transport stream.
|
| M2tsSettings
MPEG-2 TS container settings.
|
| M3u8AudioDuration
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| M3u8NielsenId3
If INSERT, Nielsen inaudible tones for media tracking will be detected in the input audio and an equivalent ID3 tag
will be inserted in the output.
|
| M3u8PcrControl
When set to PCR_EVERY_PES_PACKET a Program Clock Reference value is inserted for every Packetized Elementary Stream
(PES) header.
|
| M3u8Scte35Source
For SCTE-35 markers from your input-- Choose Passthrough (PASSTHROUGH) if you want SCTE-35 markers that appear in
your input to also appear in this output.
|
| M3u8Settings
These settings relate to the MPEG-2 transport stream (MPEG2-TS) container for the MPEG2-TS segments in your HLS
outputs.
|
| MotionImageInserter
Overlay motion graphics on top of your video.
|
| MotionImageInsertionFramerate
For motion overlays that don't have a built-in frame rate, specify the frame rate of the overlay in frames per
second, as a fraction.
|
| MotionImageInsertionMode
Choose the type of motion graphic asset that you are providing for your overlay.
|
| MotionImageInsertionOffset
Specify the offset between the upper-left corner of the video frame and the top left corner of the overlay.
|
| MotionImagePlayback
Specify whether your motion graphic overlay repeats on a loop or plays only once.
|
| MovClapAtom
When enabled, include 'clap' atom if appropriate for the video output settings.
|
| MovCslgAtom
When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample)
box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1
amendment 1.
|
| MovMpeg2FourCCControl
When set to XDCAM, writes MPEG2 video streams into the QuickTime file using XDCAM fourcc codes.
|
| MovPaddingControl
To make this output compatible with Omenon, keep the default value, OMNEON.
|
| MovReference
Always keep the default value (SELF_CONTAINED) for this setting.
|
| MovSettings
These settings relate to your QuickTime MOV output container.
|
| Mp2Settings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value MP2.
|
| Mp3RateControlMode
Specify whether the service encodes this MP3 audio output with a constant bitrate (CBR) or a variable bitrate (VBR).
|
| Mp3Settings
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value MP3.
|
| Mp4CslgAtom
When enabled, file composition times will start at zero, composition times in the 'ctts' (composition time to sample)
box for B-frames will be negative, and a 'cslg' (composition shift least greatest) box will be included per 14496-1
amendment 1.
|
| Mp4FreeSpaceBox
Inserts a free-space box immediately after the moov box.
|
| Mp4MoovPlacement
If set to PROGRESSIVE_DOWNLOAD, the MOOV atom is relocated to the beginning of the archive as required for
progressive downloading.
|
| Mp4Settings
These settings relate to your MP4 output container.
|
| MpdAccessibilityCaptionHints
Optional.
|
| MpdAudioDuration
Specify this setting only when your output will be consumed by a downstream repackaging workflow that is sensitive to
very small duration differences between video and audio.
|
| MpdCaptionContainerType
Use this setting only in DASH output groups that include sidecar TTML or IMSC captions.
|
| MpdScte35Esam
Use this setting only when you specify SCTE-35 markers from ESAM.
|
| MpdScte35Source
Ignore this setting unless you have SCTE-35 markers in your input video file.
|
| MpdSettings
These settings relate to the fragmented MP4 container for the segments in your DASH outputs.
|
| Mpeg2AdaptiveQuantization
Specify the strength of any adaptive quantization filters that you enable.
|
| Mpeg2CodecLevel
Use Level (Mpeg2CodecLevel) to set the MPEG-2 level for the video output.
|
| Mpeg2CodecProfile
Use Profile (Mpeg2CodecProfile) to set the MPEG-2 profile for the video output.
|
| Mpeg2DynamicSubGop
Choose Adaptive to improve subjective video quality for high-motion content.
|
| Mpeg2FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Mpeg2FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| Mpeg2GopSizeUnits
Indicates if the GOP Size in MPEG2 is specified in frames or seconds.
|
| Mpeg2InterlaceMode
Choose the scan line type for the output.
|
| Mpeg2IntraDcPrecision
Use Intra DC precision (Mpeg2IntraDcPrecision) to set quantization precision for intra-block DC coefficients.
|
| Mpeg2ParControl
Optional.
|
| Mpeg2QualityTuningLevel
Optional.
|
| Mpeg2RateControlMode
Use Rate control mode (Mpeg2RateControlMode) to specify whether the bitrate is variable (vbr) or constant (cbr).
|
| Mpeg2ScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| Mpeg2SceneChangeDetect
Enable this setting to insert I-frames at scene changes that the service automatically detects.
|
| Mpeg2Settings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value MPEG2.
|
| Mpeg2SlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| Mpeg2SpatialAdaptiveQuantization
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on spatial variation of
content complexity.
|
| Mpeg2Syntax
Specify whether this output's video uses the D10 syntax.
|
| Mpeg2Telecine
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard or soft telecine to create a smoother picture.
|
| Mpeg2TemporalAdaptiveQuantization
Keep the default value, Enabled (ENABLED), to adjust quantization within each frame based on temporal variation of
content complexity.
|
| MsSmoothAdditionalManifest
Specify the details for each additional Microsoft Smooth Streaming manifest that you want the service to generate for
this output group.
|
| MsSmoothAudioDeduplication
COMBINE_DUPLICATE_STREAMS combines identical audio encoding settings across a Microsoft Smooth output group into a
single audio stream.
|
| MsSmoothEncryptionSettings
If you are using DRM, set DRM System (MsSmoothEncryptionSettings) to specify the value SpekeKeyProvider.
|
| MsSmoothGroupSettings
Settings related to your Microsoft Smooth Streaming output package.
|
| MsSmoothManifestEncoding
Use Manifest encoding (MsSmoothManifestEncoding) to specify the encoding format for the server and client manifest.
|
| MxfAfdSignaling
Optional.
|
| MxfProfile
Specify the MXF profile, also called shim, for this output.
|
| MxfSettings
These settings relate to your MXF output container.
|
| NexGuardFileMarkerSettings
For forensic video watermarking, MediaConvert supports Nagra NexGuard File Marker watermarking.
|
| NielsenActiveWatermarkProcessType
Choose the type of Nielsen watermarks that you want in your outputs.
|
| NielsenConfiguration
Settings for your Nielsen configuration.
|
| NielsenNonLinearWatermarkSettings
Ignore these settings unless you are using Nielsen non-linear watermarking.
|
| NielsenSourceWatermarkStatusType
Required.
|
| NielsenUniqueTicPerAudioTrackType
To create assets that have the same TIC values in each audio track, keep the default value Share TICs
(SAME_TICS_PER_TRACK).
|
| NoiseFilterPostTemporalSharpening
Optional.
|
| NoiseReducer
Enable the Noise reducer (NoiseReducer) feature to remove noise from your video output if necessary.
|
| NoiseReducerFilter
Use Noise reducer filter (NoiseReducerFilter) to select one of the following spatial image filtering functions.
|
| NoiseReducerFilterSettings
Settings for a noise reducer filter
|
| NoiseReducerSpatialFilterSettings
Noise reducer filter settings for spatial filter.
|
| NoiseReducerTemporalFilterSettings
Noise reducer filter settings for temporal filter.
|
| OpusSettings
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value OPUS.
|
| Order
Optional.
|
| Output
Each output in your job is a collection of settings that describes how you want MediaConvert to encode a single
output file or stream.
|
| OutputChannelMapping
OutputChannel mapping settings.
|
| OutputDetail
Details regarding output
|
| OutputGroup
Group of outputs
|
| OutputGroupDetail
Contains details about the output groups specified in the job settings.
|
| OutputGroupSettings
Output Group settings, including type
|
| OutputGroupType
Type of output group (File group, Apple HLS, DASH ISO, Microsoft Smooth Streaming, CMAF)
|
| OutputSdt
Selects method of inserting SDT information into output stream.
|
| OutputSettings
Specific settings for this type of output.
|
| PartnerWatermarking
If you work with a third party video watermarking partner, use the group of settings that correspond with your
watermarking partner to include watermarks in your output.
|
| Preset
A preset is a collection of preconfigured media conversion settings that you want MediaConvert to apply to the output
during the conversion process.
|
| PresetListBy
Optional.
|
| PresetSettings
Settings for preset
|
| PricingPlan
Specifies whether the pricing plan for the queue is on-demand or reserved.
|
| ProresCodecProfile
Use Profile (ProResCodecProfile) to specify the type of Apple ProRes codec to use for this output.
|
| ProresFramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| ProresFramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| ProresInterlaceMode
Choose the scan line type for the output.
|
| ProresParControl
Optional.
|
| ProresScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| ProresSettings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value PRORES.
|
| ProresSlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| ProresTelecine
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture.
|
| Queue
You can use queues to manage the resources that are available to your AWS account for running multiple transcoding
jobs at the same time.
|
| QueueListBy
Optional.
|
| QueueStatus
Queues can be ACTIVE or PAUSED.
|
| QueueTransition
Description of the source and destination queues between which the job has moved, along with the timestamp of the
move
|
| Rectangle
Use Rectangle to identify a specific area of the video frame.
|
| RemixSettings
Use Manual audio remixing (RemixSettings) to adjust audio levels for each audio channel in each output of your job.
|
| RenewalType
Specifies whether the term of your reserved queue pricing plan is automatically extended (AUTO_RENEW) or expires
(EXPIRE) at the end of the term.
|
| ReservationPlan
Details about the pricing plan for your reserved queue.
|
| ReservationPlanSettings
Details about the pricing plan for your reserved queue.
|
| ReservationPlanStatus
Specifies whether the pricing plan for your reserved queue is ACTIVE or EXPIRED.
|
| ResourceTags
The Amazon Resource Name (ARN) and tags for an AWS Elemental MediaConvert resource.
|
| RespondToAfd
Use Respond to AFD (RespondToAfd) to specify how the service changes the video itself in response to AFD values in
the input.
|
| S3DestinationAccessControl
Optional.
|
| S3DestinationSettings
Settings associated with S3 destination
|
| S3EncryptionSettings
Settings for how your job outputs are encrypted as they are uploaded to Amazon S3.
|
| S3ObjectCannedAcl
Choose an Amazon S3 canned ACL for MediaConvert to apply to this output.
|
| S3ServerSideEncryptionType
Specify how you want your data keys managed.
|
| ScalingBehavior
Specify how the service handles outputs that have a different aspect ratio from the input aspect ratio.
|
| SccDestinationFramerate
Set Framerate (SccDestinationFramerate) to make sure that the captions and the video are synchronized in the output.
|
| SccDestinationSettings
Settings related to SCC captions.
|
| SimulateReservedQueue
Enable this setting when you run a test job to estimate how many reserved transcoding slots (RTS) you need.
|
| SpekeKeyProvider
If your output group type is HLS, DASH, or Microsoft Smooth, use these settings when doing DRM encryption with a
SPEKE-compliant key provider.
|
| SpekeKeyProviderCmaf
If your output group type is CMAF, use these settings when doing DRM encryption with a SPEKE-compliant key provider.
|
| StaticKeyProvider
Use these settings to set up encryption with a static key provider.
|
| StatusUpdateInterval
Specify how often MediaConvert sends STATUS_UPDATE events to Amazon CloudWatch Events.
|
| TagResourceRequest |
| TagResourceResult |
| TeletextDestinationSettings
Settings related to teletext captions.
|
| TeletextPageType
A page type as defined in the standard ETSI EN 300 468, Table 94
|
| TeletextSourceSettings
Settings specific to Teletext caption sources, including Page number.
|
| TimecodeBurnin
Settings for burning the output timecode and specified prefix into the output.
|
| TimecodeBurninPosition
Use Position (Position) under under Timecode burn-in (TimecodeBurnIn) to specify the location the burned-in timecode
on output video.
|
| TimecodeConfig
These settings control how the service handles timecodes throughout the job.
|
| TimecodeSource
Use Source (TimecodeSource) to set how timecodes are handled within this job.
|
| TimedMetadata
Applies only to HLS outputs.
|
| TimedMetadataInsertion
Enable Timed metadata insertion (TimedMetadataInsertion) to include ID3 tags in any HLS outputs.
|
| Timing
Information about when jobs are submitted, started, and finished is specified in Unix epoch format in seconds.
|
| TrackSourceSettings
Settings specific to caption sources that are specified by track number.
|
| TtmlDestinationSettings
Settings related to TTML captions.
|
| TtmlStylePassthrough
Pass through style and position information from a TTML-like input source (TTML, IMSC, SMPTE-TT) to the TTML output.
|
| Type |
| UntagResourceRequest |
| UntagResourceResult |
| UpdateJobTemplateRequest |
| UpdateJobTemplateResult |
| UpdatePresetRequest |
| UpdatePresetResult |
| UpdateQueueRequest |
| UpdateQueueResult |
| Vc3Class
Specify the VC3 class to choose the quality characteristics for this output.
|
| Vc3FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vc3FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| Vc3InterlaceMode
Optional.
|
| Vc3ScanTypeConversionMode
Use this setting for interlaced outputs, when your output frame rate is half of your input frame rate.
|
| Vc3Settings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VC3
|
| Vc3SlowPal
Ignore this setting unless your input frame rate is 23.976 or 24 frames per second (fps).
|
| Vc3Telecine
When you do frame rate conversion from 23.976 frames per second (fps) to 29.97 fps, and your output scan type is
interlaced, you can optionally enable hard telecine (HARD) to create a smoother picture.
|
| VideoCodec
Type of video codec
|
| VideoCodecSettings
Video codec settings, (CodecSettings) under (VideoDescription), contains the group of settings related to video
encoding.
|
| VideoDescription
Settings related to video encoding of your output.
|
| VideoDetail
Contains details about the output's video stream
|
| VideoPreprocessor
Find additional transcoding features under Preprocessors (VideoPreprocessors).
|
| VideoSelector
Input video selectors contain the video settings for the input.
|
| VideoTimecodeInsertion
Applies only to H.264, H.265, MPEG2, and ProRes outputs.
|
| VorbisSettings
Required when you set Codec, under AudioDescriptions>CodecSettings, to the value Vorbis.
|
| Vp8FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vp8FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| Vp8ParControl
Optional.
|
| Vp8QualityTuningLevel
Optional.
|
| Vp8RateControlMode
With the VP8 codec, you can use only the variable bitrate (VBR) rate control mode.
|
| Vp8Settings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP8.
|
| Vp9FramerateControl
If you are using the console, use the Framerate setting to specify the frame rate for this output.
|
| Vp9FramerateConversionAlgorithm
Choose the method that you want MediaConvert to use when increasing or decreasing the frame rate.
|
| Vp9ParControl
Optional.
|
| Vp9QualityTuningLevel
Optional.
|
| Vp9RateControlMode
With the VP9 codec, you can use only the variable bitrate (VBR) rate control mode.
|
| Vp9Settings
Required when you set (Codec) under (VideoDescription)>(CodecSettings) to the value VP9.
|
| WatermarkingStrength
Optional.
|
| WavFormat
The service defaults to using RIFF for WAV outputs.
|
| WavSettings
Required when you set (Codec) under (AudioDescriptions)>(CodecSettings) to the value WAV.
|
| WebvttDestinationSettings
WEBVTT Destination Settings
|
| WebvttStylePassthrough
Choose Enabled (ENABLED) to have MediaConvert use the font style, color, and position information from the captions
source in the input.
|
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